2 members
1 member
2 members
Started this discussion. Last reply by brad catron Mar. 28, 2008.
Posted on December 3, 2008 at 11:00pm —
Posted by Veit Renn on December 3, 2008 at 11:00pm
2 members
1 member
2 members
© 2009 Created by Veit Renn on Ning. Create Your Own Social Network
Comment Wall (6 comments)
You need to be a member of the logic producer to add comments!
Join this social network
Thanks for the advice about EQing the chambers slightly different from each other. I couldn't close mic the each one since they don't make stands that reach up 30/40 feet. Hah ha, but I got really good sounds to work with. I had him place a mic where he thought the best seat in the house was. Any compressor in particular you would suggest for this project (outboard or plug-in)? I may end up renting something if I need to.
And I'll call Bob, sounds like a great contact. I'm sure he'll be able to answer a few questions for me. Thanks again.
I've got a question for you. I just finished tracking live organ in a large size church. The room was amazing so I placed mics around the room and near the chambers to capture the natural reverb in there. And I also patched in a DI to have the dry signal. I tracked everything thru analog gear into logic.
Now I am finally mixing and curious if you or anyone else has a few ideas on how to EQ the different chambers. The music is all classical with full orchestra sounds. I only used light compression going in to capture the dynamics of the music so most of the tracks have a very live sound.
So I'm just trying to figure out where to start with this mix-down and could really use some of your expertise. Thanks!
LOVE THIS MAN. JUST USED THE TUTORIAL ON INS PRESET SAVES, GREAT
I NEED TO UPGRADE TO 8 ASAP. THIS SITE IS GREAT ..LOVE IT